Looooook at that poster. "Those giant ants have human eyes! This 1954 giant insect movie is very goofy!"
This 1954 giant insect movie is one of the ur-horror movies. And it is nowhere, nowhere near as goofy as that poster suggests. I'm not ashamed to say that most of my "science hero" writing is directly influenced by this flick. I think you can break discussion of this movie down into basically two points:
First, you can argue that while the horror movies of the 50's established many of the horror and monster movie tropes we now use, most were so campy they lacked the, ah, emotional resonance to impress on us how effective these tropes could be. Them! had an impact that echoes fifty years down the cinematic timestream. The opening of, say, The Giant Gila Monster or Beginning of the End use techniques we're familiar with: The Mysterious Attack, the Unsolved Disappearance -- they segue differently into the Oblivious Authority Figure and the Dogged Investigation. Those movies open like action movies.
Them! opens like a horror movie. In a genuinely creepy sequence, two cops discover a ravaged general store out on the Arizona highway. A hundred miles from nowhere, deep in the night ... The only survivor is a mute, terrified little girl. Strange sounds echo out from the darkness ...
There is a moment, watching this, when you realize "Holy shit, the opening of this 1954 horror movie is the template for Aliens." Anyone who doesn't see the hand of Them! (or at least the tropes established by Them!) in Jaws is just not paying attention.
The final action sequence is a full-on soldiers vs. monsters flamethrower battle in the tunnels beneath Los Angeles. This sequence would still be a viable set piece pitch for a summer tentpole flick in 2010.
Second, this film is the template for the science hero movies of the 60's and 70's. There's a nice solid investigative path here, and you see scientists using Very Big Brains to figure out what the hell's going on. Director Gordon Douglas teases out the giant ant reveal (yes, I typed that with a straight face), relying on a nicely creepy sound design and some very sophisticated shot choices. The first time the phrase "Them!" is said -- or rather, screamed -- is one of my favorite moments in cinema. The characters have to earn the reveal by figuring things out in enough detail to arrive at the monster's nature, rather than just having one smash through the roof of the lab.
Now, one hand you have The Thing, where the scientist is enabling the monster -- "Hi, I'm a dude in a white lab coat, and my job is to be the Metaphor of Science's Reckless Pursuit of the Unknown" -- and two-fisted army dudes need to put the monster to a right kicking. This is the model most people associate with these movies, and to a great degree the model we returned to in the 80's. But in Them!, you have the Army enabling the scientists.* There's a great little X-Files-y moment where the leads lay out how they're assembling a data map, correlating weird sightings and deaths -- and simultaneously covering up the presence of the monsters by discrediting those very same reports. Very Cryptonomicon.
It's always interesting to skim the Netflix comments (hey, somebody else saw the Aliens relationship!). I'm struck by how many times people comment on a movie like this "Hey, it's grerat to pop in a movie that's just fun and you don't have to think." Them! is just so goddam well-made, it's not mindless at all -- it's just effortless.
Them! streaming instantly on Netflix is your weekend recommendation. In the Comments, let's hear your favorite old-school horror or sci-fi movie. Let's say ... pre 1970's.
* The two-fisted hero/science guy team-up wound up morphing into the disaster movies of the 70's, then re-entering the sci-fi universe in the 90's with Independence Day. There's another interesting story at the root of that cinematic relationship ...
49 comments:
Them! is one of my all time favorites. Watched it again a few months back and was struck by several things: that it held up to my childhood memories as genuinely creepy, that it has a really nicely structured plot, and as you pointed out, shows the scientists using their Big Brains for Science! and to save humanity. And! There's a genuine sense of horror evoked when they realize they have to find the flying ant queen like five minutes ago before it can escape and start a new colony. Plus that sound... shivers.
Also: Fess Parker cameo!
***
The undisputed all-time greatest pre-70s sci fi movie: The Day The Earth Stood Still. This is self evident.
A close runner up, after Them! is Forbidden Planet. Sure, it's got a goofy robot sidekick and a monkey but it also has Leslie Nielsen doing a straight dramatic role and a genuinely creepy monster.
"In the Comments, let's hear your favorite old-school horror or sci-fi movie. Let's say ... pre 1970's."
Oh Geez, John - there's so many to choose from:
IT CAME FROM OUTER SPACE
ROCKETSHIP X-M
DESTINATION MOON
WHEN WORLD'S COLLIDE
WAR OF THE WORLDS
HOUSE OF WAX
Any of the UNIVERSAL MONSTER SERIES
DAY THE EARTH STOOD STILL
FORBIDDEN PLANET
BRAIN FROM PLANET AROUS (just cause it's a goofy flick, and the template for later 'aliens on earth' flicks like THE HIDDEN)
KRONOS
EARTH V. THE FLYING SAUCERS
QUATERMASS & THE PIT (Both the haunting b&w TV serial and the color movie)
etc...
Oh - and though it sort of doesn't qualify, just about any episode of THE OUTER LIMITS B&W series which is a scifi show shot and lit as if it were a horror series.
There are only two pre-70s sci-fi movies I really like (aside from anything starring Godzilla): Them! and Quatermass and the Pit. The former because, as you/others have mentioned, it just holds up really, really well and the second 'cause it's just so damned creepy. There are a few others that are "good," but my day will come to a halt should I stumble across one of them while cruising cable channels, every time.
My favorite pre-'70s horror flick is the original CAT PEOPLE, one of a whole string of smart, tense, elegantly spooky flicks from producer Val Lewton and his murderer's row of RKO talent, including a very young Robert Wise. It's got a great lead performance from Simone Simon, indelible set pieces (the swimming pool, the Central Park pursuit, the drafting tables), amazing black-and-white cinematography, psychosexual tension out the wazoo, and real, poignant sympathy for its characters.
Runners-up:
- THE BODY SNATCHER, another Lewton special, with a magnificently creepy turn from Boris Karloff as a sort of Victorian Max Cady. Karloff's big scene with (sadly underused) Bela Lugosi -- you'll know it when you see it -- is still bone-chilling.
- THE BLACK CAT, from director Edward Ulmer, mainly because it's so dang gonzo. Vengeful borderline madman Lugosi vs. wife-stealing pimp-daddy Satanist Karloff in the most gorgeous Modernist mansion in the history of cinema.
- THE PIT AND THE PENDULUM: Roger Corman's direction is cheesy, the sets are cardboard, but a mean-as-a-snake script by Richard Matheson still delivers the creepiness, right up to the jolting final image.
- THE HAUNTING. The Robert Wise original. I shouldn't have to say anything more about this one. (:
- KWAIDAN, a 1960s Japanese flick whose skin-crawling power easily rivals "The Ring," especially in its opening segment, "The Black Hair." Brrrrrr.
John, would love to hear your take on the advisability of a Cryptonomicon script (mini-series? How else could it be done?)
Great post, great work, please keep it all coming! The Fun Train will not be stopped!
Oh, I love Cat People quite a bit, as well as The Innocents, but my favorite horror film of that era is Abbot & Costello Meet Frankenstein. Works as both a horror film and a comedy.
There are so many. But PRE-1970 I'd have to go with The Incredible Shrinking Man. Actually I'd go with anything written by Richard Matheson.
And I have a soft spot for a lot of the old Hammers, too.
"Forbidden Planet" for all the following reasons. (Possible Spoilers.)
The MGM gloss in a science fiction setting.
A pre-ironic Leslie Nielsen.
Robby the Robot.
The horrifying idea that the worst monsters can come from our freaking minds!
And of course, Anne Francis in the shortest skirts ever seen in a studio movie at that point. And I will argue that all those twelve year old boys being exposed to those gams helped bring about the sexual revolution. PROVE ME WRONG, INTERNET!
As for best old-school horror movie, five simple words sum that up:
"He has his father's eyes."
I first saw THEM! on a neighbor's TV, some Sunday in 1970 (I was six or so). I can honestly say it is the reason I am such a complete and total monster movie fan.
I have seen the rest of its breed; The Deadly Mantis, Beginning of the End, Tarantula, 8-Legged Freaks, Food of the Gods...But it, even more than King Kong or The Gojiira films is what hooked me on monsters and science-fiction.
The story is great, the cast excellent, the direction and cinematography are tight. Even the special effects, cheesy as our now jaded minds see them, are well-done. And the thing that sealed this deal was the ant's chittering sound effect. Still one of the most chilling noises I've ever heard.
I bought the DVD when it came out and watch it whenever I want to feel six years old again...
THE MONOLITH MONSTERS! I loved the idea that the alien monsters weren't creatures or even animate.
Netflix has it on a "double feature" with The Incredible Shrinking Man.
Aw come on, Forbidden Planet was Star Trek before Star Trek was a gleam in the eye of the Great Bird of the Galaxy....
From Baby Bones
The cool stuff I watched in the sixties after school.
Dr. Strangelove: Slim Pickens riding the bomb had a lasting impression on my sense of humor. It wasn't until the 1980s that I saw the movie again. I had no idea as a child how funny Peter Sellers was in it.
When Worlds Collide: I thought this was incredible, with great effects. It was another apocalyptic story for a disturbed kid.
Quartermass and the Pitt (aka Five Million Years to Earth): First movie to creep me out so bad I could not watch it again until Jaws upped my tolerance to horror.
The Birds: Hitchcock who? I hadn't seen Psycho, but I was scared of the Master after the Birds.
Stairway to Heaven: I remember thinking that Heaven looked a bit like Asgard.
Colossus the Forbin Project: The creepiest part was when Colossus spoke at the end.
Bamboo Saucer: The UFOLOGISTS can't hide the fact that their ideas are recycled from such schlock. This movie is poorly executed so I have trouble recommending it to anyone today, but it is a pretty accurate in its exposition about what it takes to build a craft that can execute extremely HIGH G maneuvers without killing the crew.
Other than Them!, which is one of my favorites too, I'd say The Day the Earth Stood Still and Invasion of the Body Snatchers.
This movie scared the CRAP out of me when I was a kid. I remember KHJ (as KCAL in LA was then) running it every evening for a week. I had nightmares, but of course, kept watching it. I can still remember the scene where one of the giant ants squished James Whitmore in its pincers.
Scarred for life!
Back in high school, while the cool kids were all on field trips, our head of year / chemistry teacher screened Them!, The Day the Earth Caught Fire, Casablanca and The Searchers (and maybe the Robert Wise version of The Haunting) for a group of us.
It had such a positive influence on my taste in film.
I think The Day The Earth Caught Fire acts as a good convergence point between "science hero" and disaster movie. It also has one of my favourite endings ever.
Forbidden Planet is one of the few I've watched multiple times. It can be watched in three different frames of reference -- one where we pick apart the Big Themes (the Shakespeare angle, the Victim of Ourselves angle, etc.); one where we rip on the camp and various looks at fear of female sexuality (She kissed a man and MEANT it. She's lost her virgin powers!); one where we dig in for the influences it had on the science fiction TV and Movies that came after it (sort of "count the references/roots" game).
I'm not sure if Giant Rubber Monsters count as SF or horror, but my love for the original Gojira/Godzilla remains undiminished. That's real fear and pathos we see under those rather corny special effects. That's a big glimpse into what the Japanese thought and felt about WWII, their place in the world after it, Hiroshima, their future, and themselves. It brought home that point in history (and its echoes today) in a way that didn't dive straight for my "oh no, the horror" button, sneaking it up on me and making it last. The Americanized version can be watched for laughs, but the original (with subtitles) is pretty moving. I even found a fairly scholarly book about the whole genre (Japanese Science Fiction, Fantasy and Horror Films) that gives a few insights into the original film.
Some of the others mentioned by others are also big for me, but those two are the ones I rewatch the most.
Thanks much for creating these posts and bringing these ideas forward for discussion.
GET OUT OF MY BRAIN! I signed up for the free trial of Netflix after reading your comments about streaming Zulu (now in my instant queue). And the first thing I watched with my sweetie was THEM! She'd never seen it, so I got to enjoy her reactions as well as the nostalgia aspect of seeing it for the 4th or 5th time myself. Just a great movie.
And let me add my respect for Forbidden Planet. Other than the "virgin powers" thing, it holds up very well.
I have all these fine movies on DVD (from Cunningham's list). I even have a colorized copy of the Thing. Many of these movies were regulars on Mystery Science Theater. Glad to be among fellow sci-fi geeks.
"Forbidden Planet"
and
"The Day the Earth Stood Still"
would, at the moment, top the sci-fi. But I suppose they'll both be gimmes.
With horror, I've always been partial to the original Wolfman/Mummy/Invisible Man/Black Lagoon movies. As a child, I enjoyed the horror/adventure mix. And, yes, I was effectively frightened by those movies. And I still enjoy re-watching them.
I'd probably have to add Hitch's "The Birds", in best pre-70s horror.
Many titles came to mind when John mentioned "pre-1970," but Forbidden Planet wasn't one of them. It is in a class by itself. Way ahead of its time in many ways.
2001 was pre-1970 of course, but likewise in a class by itself.
That said:
I was a lonely, grubby kid who spent far too many weekend mornings and afternoons glued to the TV. Channels 9, 11 and 5 in NYC supplied copious amounts of "science fiction monster crap," as a friend's dad put it.
Some of these I know were bad even back then. Cheesy, or with a SF content that was just a MacGuffin veneer.
Zenkitty beat me to "Monolith Monsters." An interesting and disturbing little movie. Not a classic, but a nice change from giant insects.
I'm fond of a couple of Radioactive Mutant movies. One was about astrounauts who hit a time warp and end up on a post-holcaust Earth. They aid an underground city of sickly aesthetes in a skirmish against mutants.
In another, a scientist snatches a mutant woman in a glittery suit from the future. Her very body causes radiation burns. Harsh!
"Creation of the Humanoids." Weird, shlocky, but a genuine SF story about a post-war civilization dealing with rebellious labor robots.
Another interesting C-movie: "The Terrornauts," in which an observatory is uprooted and dragged into space to an asteroid battle station.
And, of course, "The Invasion of the Body Snatchers," which I watched late one Friday night. Channel 5 had a host, a guy in shades who sat on a stool, who introduced the movie and provided commentary during breaks. His ponderings (maybe going pod wouldn't be so bad), the movie's concept, and the crude but effective SFX, made that film a source of fascination and torment.
And . . . oh, of course! When I was around 12, a grand old movie palace in downtown Glen Cove reopened to show Sunn Pictures trash flicks and, on Saturdays, a $.50 science fiction matinee! Stuff like Mexican wrestler movies and Italian SF films.
'spole': Scandinavian hardtack.
Since it has to be pre-1970's and most of my recs were already given by other people, how about some real old school stuff?
Metropolis has to pretty much go on any list of classic sci-fi, even if there's a distinct lack of giant monsters.
In the horror column, there's M, which is somewhat more akin to a psychological thriller than straight horror, but the opening sequence is still tremendously creepy. Then there's cult favorite Freaks, which, weird, non-sensical ending aside, holds up as a sort of amber stasis of both cinema and a subculture which essentially doesn't exist anymore. And the opening intro card was used almost verbatim for X-Files episode "Humbug," so it's had a lasting impact.
Beyond that, I'll just add dittos to The Day the Earth Stood Still, Invasion of the Body Snatchers, and The Haunting. I suppose I could also recommend the original House on Haunted Hill. Its scares don't quite hold up, but it remains an entertaining film, if for no other reason than Vincent Price and Carol Ohmart's viciously snarky and dysfunctional marriage.
I've never actually seen Them!, but I've spent countless hours with It Came From the Desert, a computer game from back in '89 that involves a small desert town being overrun by giant ants.
It was such an incredibly great game. It had the giant ants, a strange cult, greaser knife fights, and hospital escapes. Man, do I miss that game.
I love watching old horror and sci-fi movies on TCM hosted by Robert Osborne. He does a great job of describing the attitudes and social situations of the time and how they relate to the films. It's amazing how a little inside knowledge can change the whole meaning of a story. Or in some cases add meaning to what would otherwise seem like a waste of film.
Man, do I miss that game.
Ask and the internet provides.
Although, this far down the thread long after the posting... likely the internets fell short this time.
thank you brother and i like share website
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